作者简介：

陈丽，北京外国语大学9728太阳集团副教授，爱尔兰研究中心副主任；主要研究方向为20世纪英国文学与爱尔兰文学。近年来在《外国文学评论》《国外文学》《外国文学》等期刊发表相关领域的学术文章多篇，出版有学术专著《时间十字架上的玫瑰——20世纪爱尔兰大房子小说》。

专著简介：

本书是国内首部全面研究爱尔兰文艺复兴运动的文化政治性的学术专著，重点关注了爱尔兰文艺复兴作家在复兴古代凯尔特文化遗产和重塑民族文化形象过程中的“去英国化”、“自我建构”和“公众接受”问题。通过并置展现这一时期的多声部、多元化的文化对话和思想碰撞，本书可以帮助读者更好地理解爱尔兰文艺复兴运动的核心文化遗产，及其对于20世纪爱尔兰民族身份塑造的巨大影响。

The monograph is the first attempt in China to analyze the politics of cultural production during the period known as the Irish Literary Revival, covering not only major writers (like W. B. Yeats and John Synge), but also writers less-known in China (like Patrick Pearse and Daniel Corkery). The literary movement, far from being non-political, was driven by an underlying passion for de-Anglicization and by the writers’ efforts to imagine and reimagine a proper national identity. The fact that they competed with each other for the “authentic” version of Irishness is in essence a competition for a leading role in culturally shaping the country’s future. And such a debate on Irishness, in turn, contributed to the flourishing of the literary achievement, and became a legacy of the Irish Literary Revival.